Keith Mullin

Head of Department: Management; Music Department: Subject Leader Professional Practice & Music Business

MA, PGDip, FHEA Course Leader  

Keith is a member of Liverpool band The Farm and works as a freelance music professional. The band’s first album reached number one in the UK and they continue to perform at festivals and UK venues. He has also managed bands and artists, and co-owned independent labels Honey Records, Produce Records and recently Vile Entertainment. Keith was also a member of The Justice Collective achieving the 2012 Christmas number one with their recording of He Ain’t Heavy, He’s, My Brother, working with Guy Chambers, Sir Paul McCartney, Mick Jones from The Clash, Robbie Williams and former Spice Girl Mel C.

With over 30 years’ experience in the music industry, he has acquired a knowledge and experience of the industry’s management structures and common business practice which he passes on to his students. He uses a mixture of approaches and methods to ensure that learning feeds into career-focused development for musicians and artists.

With an MA in Music Industry Studies, and PGCert in higher education teaching, he has mentored and taught numerous musicians who have gone on to enjoy successful careers in the music industry as songwriters, managers, A&R managers, live music industry media and digital marketing professionals. He continues to maintain relationships with many professional entertainment companies, publishers, record labels, agents, managers, promoters. In addition, he has performed with numerous experienced artists such as, Mick Jones (The Clash), Paul Heaton, Suggs, David Bryn, Susan Vega, Fun Lovin Criminals, Happy Mondays, Take That, Eurasia, Clean Bandit, Madness, The Stone Roses, Beverly Knight, Lightening Seeds, BA Robinson, New Order, Peter Hook & The Light and many other high-profile artists. More recently he worked alongside Rob Sloman as associate producer, composer and music director for the documentary Howard’s Way, the documentary currently features on sky documentaries.

Keith teaches a broad range of subjects across the disciplines of music and management, music industry and business, professional practice, research skills, practical project, work, live music and events, performance techniques and coaching. Keith’s industry knowledge and experience permit a relevant contribution to teaching and learning across multiple disciplines.

Keith possesses an extensive portfolio of professional experience having worked in the music and creative industries for 32 years. Working as a successful artist/entrepreneur since 1989 to the present day, has assisted in acquiring a comprehensive knowledge of music industry conventions and contemporary business practices. Enabling the application of music industry insights and practices within educational settings. Professional experience in Keith’s view is “an integral part of preparing students for a profession, through linking theoretical studies to deliberate practice and their learning”

Publications

What is a good higher education teacher? "Am I what I say I am?" Published 2017-04-18 LJMU Innovations In Practice

Hillsborough Justice Tour 2012 - The John Robb Diary, Book, Chapter Contribution

Music releases

Albums

Spartacus (1991)

Love Sees No Colour (1992)

Hullabaloo (1994)

Pastures Old and New (1986)

Spartacus Live (1991) 

Groovy Times (1991)

Best of The Farm (1998) 

The Very Best of The Farm (2001) [compilation] Back Together Now! Live (2006) All Together with The Farm (2007) [live album] Singles.

Keith’s songs have featured on 90-compilation albums

Singles

Hearts and Minds (1984)

Steps of Emotion (1985)

Some People (1986)

Body and Soul (1989)

Stepping Stone / Family of Man, Groovy Train, All Together Now (1990)

Sinful! (Scary Jiggin' with Doctor Love) with Pete Wylie, Don't Let Me Down, Mind (1991)

Love See No Colour, Rising Sun, Don't You Want Me, Love See No Colour (re-mix) (1992)

Messiah, Comfort (1994)

All Together Now (Everton FA Cup Final version) (1995)

All Together Now 2004 (feat. SFX Boys Choir) (1994)

Liz Carlisle

Lecturer

Liz has worked in the arts and cultural industries in Liverpool since graduating as one of eight people with a BA Hons in Performing Arts with a specialisation in Arts Administration (at the time this undergraduate programme at Leicester Polytechnic was the only one in the UK that specialised in arts management). Having started her career booking and managing 40 tours per year for a local community theatre company she soon became the go-to arts manager in Liverpool, working with Merseyside Arts (the local office of Arts Council), Merseyside Dance Association (a forerunner of Merseyside Dance Initiative), Hope Street Ltd, The Centre for Arts Development Training, Kaboodle Theatre, Loudmouth Mime Theatre, Fun Promotions Theatre Company, Pegasus Puppet Theatre, The Association of Theatres on Merseyside and then becoming Administrative Director for Urban Strawberry Lunch (USL).

During her work with USL Liz helped the organisation transition from a partnership to becoming a Ltd Company and Charity status and secured annual funding from Arts Council England and Liverpool City Council, all whilst moving from a solely managerial role in to becoming a performer, composer, and workshop/education leader too; booking, managing and appearing in tours of Singapore, Malta, Cyprus, France, Belgium and Ireland as well as working across the UK in a variety of site specific and arts venues. Her work also included many TV and Radio appearances (live and recorded, including 2 for Blue Peter which resulted in being awarded a Silver Badge!) Her professional experience includes fundraising and financial management, client and stakeholder liaison and relationships, marketing, tour booking and management, business and operational planning, lighting operator, driver, marketing and PR, roadie, performer, composer and arranger, artistic direction and much more.

Whilst working with USL Liz was involved with the transformation of Liverpool’s Bombed Out Church from a no-go zone to an open air venue hosting an exhibition by Yoko Ono and performances from big name acts including The Kooks, (British) Sea Power, Clinic and John Head; leading her to develop venue management skills including Front of House, Health and Safety, Licensing, Programming and more. She was also involved with the opening of Capital of Culture 2008, appearing on the roof of St George’s Hall with Ringo Starr.

In 2014 Liz moved into the field of community development working with adults who were isolated for a variety of reasons, helping them to build an independent support organisation before moving to another role working with adults in crisis (housing or financial) and helping them build skills and competencies to prevent the cycle of crisis recurring. During this time Liz was also the Participation Coordinator for 20 Stories High theatre company and volunteered with some large-scale projects including Liverpool Lantern Company’s spring festival and the World Athletics and International Para Athletics Championships.

Liz has been teaching at LIPA since 2012, has a PG Cert in Teaching and Learning in Higher Education, and is a Fellow of the Higher Education Academy. As much of Liz’s professional work has taken place in unusual and ‘found’ spaces as well as in traditional theatre and community settings she brings her practical experience to the front and centre of her teaching, believing that developing an understanding of all aspects of producing and managing a performance or project helps create the most effective managers.

Liz teaches Live Events and Performance Management, Raising Funds and Managing Finance, and Music, Entertainment, Theatre and Events in the Contemporary World; as well as working as a supervising tutor across several other modules. She also leads on LIPA Enterprise – a scheme to award small grants to student and alumni enterprise projects undertaken outside their studies and post-graduation.

Pippa Lea

Lecturer

Pippa, MCIPR, has over 20 years’ experience in arts marketing in the areas of PR and audience development, visitor economy strategy, digital strategy and website development, stakeholder communications, ticketing and visitor experience. She has held press, PR, communications, marketing and audience development positions at the National Portrait Gallery, Foster + Partners Architects, Liverpool Everyman and Playhouse Theatres, Floral Pavilion Theatre and Conference Centre, FACT (Foundation for Art and Creative Technology) Liverpool and Llangollen International Musical Eisteddfod. In 2000, as part of the PR and Development team at the National Portrait Gallery, she led on stakeholder management for the royal opening of the new Ondaatje Wing. Following this she joined global architecture firm, Foster + Partners, in a press, PR and public engagement role. Key projects included: City Hall, Wembley Stadium, and 30 St Mary Axe (The Gherkin), and coordinating Architecture Week and Heritage Open Week events.

As PR and Communications Manager for Liverpool Everyman and Playhouse Theatres, Pippa created and implemented a two-year PR and communications strategy for the opening of the new Everyman Theatre. She also led the theatres’ press and PR campaigns for Liverpool’s Capital of Culture Year working in partnership with Liverpool City Council’s Culture Team. During this time, Pippa worked with actors including, Kim Cattrall, Pete Postlethwaite, Jonathan Pryce, Matthew Kelly, Leanne Best (LIPA graduate) and David Morrissey. She also managed campaigns for the Amnesty International Freedom of Expression Award-winning Unprotected and stage premieres of Ghost Stories and The Ladykillers. Pippa was also the website manager, overseeing two website redesigns. 

At FACT Liverpool Pippa headed the Marketing and Communications Team where she led a full rebrand and new visual identity working with leading creative design agency, Praline. She also managed the creation of a new website to coincide with the organisation’s 15th birthday. 

In 2019, Pippa undertook a deep-dive 18-month consultancy role as Marketing and Audience Development Director at Llangollen International Musical Eisteddfod funded by Welsh Government’s Major Events Unit. Remit and deliverables included: an audience development strategy with long-term strategic planning; upskilling and reviewing the marketing team; a marketing campaign strategy to nurture a daytime visitor market resulting in a 17% increase in overall visitors and a 20% increase in daytime visitors; introducing the Audience Finder segmentation add-on tool to the organisation and integrating it with the Box Office system (Spektrix) to introduce dynamic e-comms content and dynamic ticketing initiatives. 

Pippa is also an Associate Freelance Consultant for Counterculture LLP who provide specialist professional services across strategy, finance, law, management, governance and capital projects throughout the UK and internationally. 

She is a Member of the AMA (Arts Marketing Association), a Member of the CIPR (Chartered Institute of Public Relations) and Chair of St Helens Cultural Hubs NPO Advisory Board. She was previously Co-Chair of Wirral Visitor Economy Board, a LEP (Liverpool Enterprise Partnership) Visitor Economy Board Member, and on the Steering Group for the Wirral Council Visitor Economy Strategy.

Pippa is Level 4 Module Leader for Marketing, Managing Organisations, and Introduction to Professional Practice (IPP) within Theatre, Music, Entertainment and Events.

The Marketing module provides an understanding of marketing concepts and strategic marketing management whilst developing abilities to identify tools for creating marketing campaigns and measuring success.

Managing Organisations covers a range of theoretical management concepts relating to the management of organisations within the creative industries.

IPP introduces the basics of a variety of different creative and arts activities, laying the building blocks for the forthcoming years.

Our students appreciate the direct link between learning and professional application. Using personal case studies and recent professional experience across a range of industries and organisations, Pippa can provide a contemporary overview of roles within the creative industries and some of the up-to-date tools that are being used across a range of practices.

Gillian Walsh

Lecturer

Gillian has many years of experience working in regional theatre, where she held roles from venue management and project management to fundraising. She has served on various boards for independent theatre companies, arts organisations and charities. Gillian holds an MSc in Music and Creative Industries Management and a Postgraduate Diploma in Management Studies. She uses her extensive professional experience and theoretical knowledge to enable students to develop an in-depth understanding of the industry. From her time in the third sector, where she raised funds for arts and community projects, Gillian is able to support students with finding funds for their own real-life projects.