Will Hammond

Director of School of Performance

Will has worked in theatre, TV, film and radio. Having worked across mediums and platforms, Will can support students to become adaptable. His credits include the BBC, Lime Pictures, Greenwich Films, West Yorkshire Playhouse, Paines Plough, Frantic Assembly and Soho Theatre. Will has won the High Sheriff Award for New Writing from the Stephen Joseph Theatre, judged by Sir Alan Ayckbourn. He co-wrote the musical Kate and the Devil, which was shortlisted for the Stiles & Drewe Best New Song Award 2015. He feels it is important for actors to cultivate their own independent approach to acting in preparation for sustainable careers.

David Salter

Head of Acting

David is an award-winning theatre director and acting teacher.

Previously he has taught and directed at a number of drama schools including RADA, Mountview, Rose Bruford College, Drama Centre, The American Academy of Performing Arts, New National Theatre Drama Studio, Tokyo and the Manchester School of Theatre, where he led the Acting Programme. 

David attended the Director’s Course at the Royal National Theatre Studio and has directed productions across the UK and internationally, including Brecht’s The Life of Galileo at the Studio Theatre, Washington DC. David was associate director to Peter Stein on David Harrower’s Blackbird at the Edinburgh International Festival, to Howard Barker on his production of Scenes From An Execution at the Barbican and on numerous productions at the Almeida Theatre including Richard II with Ralph Fiennes and the world premiere of The Shape of Things with Rachel Weisz and Paul Rudd.

publications

Contributor to ‘Actor Trainers on Acting: For The Twenty First Century’ Edited by Professor Anna McNamara for Routledge (upcoming)

Stuart Crowther

Programme Leader: BA Acting

Stuart (they/them) is an actor, writer, director and drag/performance artist. They trained as an actor at LIPA and completed their postgraduate studies at the University of Manchester and Rose Bruford College. They have appeared in cabaret, fringe theatre, West End productions, TV and film and are an Associate Artist with both All Things Considered Theatre and Threedumb Theatre. Previous work has been seen at the Royal Exchange, Square Chapel, Ambassadors Theatre (West End), Battersea Arts Centre, Unity Theatre, Pleasance (London and Edinburgh), Oldham Coliseum Open Air Theatre.

Most recent credits include - as a writer: Notre Dame de Paris (The Space, Isle of Dogs), DISCO(n)TENT (All Things Considered), as a director: Killer Queen (Sodomite, Hidden, UK tour), Gruesome Playground Injuries, as a performer: Spectrum (Amazon Prime), algebra (Unity Theatre, UK tour). They have taught at several institutions and universities throughout the UK and are a member of LIPA’s Equality, Diversity and Inclusion Committee.

Stuart’s work focuses primarily on the actor as an individual and the unique perspective each person brings to their work on a role. They encourage students to feel empowered through the use of active imagination and engagement with play and make-believe, whilst remaining committed to ‘telling the story’.

Stuart’s career has run the gamut from performing in squats and with political collectives, through to appearing in the West End and in film. They have worn many a hat and donned many a costume, and, because of this, Stuart has a broad understanding of how industry meets artistry. Stuart is committed to passing on the necessity for the actor/performer to develop their own unique voice and to stay true to the stories they want to tell.

Rosemary Berkon

Teaching Fellow

Rosemary is an actor, voice coach and community facilitator. She trained as an actor at ALRA and as a voice coach at The Royal Central School of Speech and Drama. As an actor Rosemary has toured nationally, performing at venues such as HOME theatre, The Leeds Playhouse, Theatre 503, The North Wall Arts Centre and Manchester Opera House. With a passion for new writing and outreach she has worked as a performer and facilitator to create original work that emphasises community engagement with various theatre companies including Odd Arts, Papatango, Quantum Theatre and Byteback Theatre.

She brings her experience as a performer and facilitator into her teaching, alongside her experience as a private coach, which sees her work with many different voices encouraging confidence and communication. She currently works with clients in preparation for auditions, public speaking (that has included TEDx talks) and at other drama schools.

Rosemary is fascinated by accents, how speech is made and the social implications of teaching this to actors. She is a member of The Voice and Speech Trainers Association, passionate about cutting-edge pedagogy and aims to work with a sense of community and inclusivity in her studio spaces.

Rosemary understands the resilience required to sustain a career in the theatre industry, she endeavours to share with honesty challenges from her professional experience and also her hopes for the future of the creative arts.

Matthew Dudley

Lecturer

Matthew has taught on and led professional training and degree programmes for over 15 years. After studying at Trinity College of Music and the Guildhall School of Music and Drama, he performed in the UK and in Europe. Matthew has taught voice, text and singing at several respected training institutions, including Guildford School of Acting and Italia Conti, and has delivered workshops throughout the UK for organisations such as Bristol Old Vic Theatre School and the British Voice Association. He is a certified Associate Teacher of Fitzmaurice Voicework and has taught on the certification programme in Los Angeles. His teaching is influenced by his study of classical and contemporary voicework, and incorporates movement work, mindfulness and concepts taken from his study of psychotherapeutic modalities.

Arabella Gibbins

Teaching Fellow

Arabella is an actor, voice-over artist and voice coach. Her one-woman show Big Bad won an Origins Award for Outstanding New Work and is touring this summer. Arabella is a singer-songwriter, musical comedienne and she’s even done backing vocals for Robbie Williams. As a professional performer Arabella understands the demands of the industry. Her valuable experience on stage and in the vocal booth means she is informed and knowledgeable in the rehearsal room.

Gary Horner

Programme Leader: MA Acting, Lecturer & Visiting Lecturer

Gary trained as an actor at Guildford School of Acting before going on to work professionally throughout the UK. Subsequently he went on to gain his MA from The Royal Central School of Speech and Drama in Voice studies and trained intensively with author of Freeing the Natural Voice, Kristin Linklater to become a designated Linklater teacher. Gary is an internationally recognised voice coach and director and has worked extensively within the UK Drama School sector.

Alongside being the course leader for the MA in Acting (Company) at LIPA, Gary continues to work professionally as a voice coach and director. Mostly recently, Gary was an associate voice coach on Henry VI part 3 at The Royal Shakespeare Company. Prior to this some of Gary’s credits include Matilda the musical (Cambridge Theatre, London), Acts of Resistance (Bristol Old Vic), The Boy with Two Hearts (Wales Millennium Centre / The Royal National Theatre), Brainstorm (The Royal National Theatre), Sour Lips (Oval House Theatre), The Arsonists (Watford Palace Theatre), Bush Bazaar (The Bush Theatre), Romeo and Juliet (The Chocolate Factory), Titus Andronicus (Bedlam Theatre/UK TOUR), In His Image (Hampstead Theatre), Reverie (Pleasance Theatre), Hello, Mr Capello (Watford Palace Theatre). 

Gary oversees the development and delivery of the MA Acting (Company) course, as well as delivering across the BA and Foundation courses within the Acting department. He directs projects, final year productions and teaches technical voice and voice into text. 

Working within the theatre industry with some of the biggest theatre companies and theatres around the UK allows Gary to understand the current trends within the professional sphere and ensures that the training he delivers at LIPA is relevant and fully prepares students for entering into the acting industry. 

Publications/research

A non-elitist approach to Professional Development in Actor Training - Drama and Theatre Publication – Summer Term 1 – 2019/20 (Publication)

Northern Centre for Voice and Movement bringing Cultural Capital to a forgotten land – International Network for Voice Symposium – 2019 (Presentation)

Beth Vyse

Lecturer

Beth is a critically acclaimed and award-winning creator/performer. She recently finished an international tour of her own show As Funny As Cancer, she also has national and regional theatre, global RSC, BBC, and ITV credits to her name. Over the last 20 years she has worked tirelessly within an industry she adores to become an established comedian, director, and lecturer – sharing her wealth of experience to help educate and encourage those with her shared passion for performance.